After my Pandora work, I started thinking about representations of Pandora, which led me to these.
I find it interesting that in this painting, Pandora looks inevitably drawn to the jar, while in the Rosetti (below), she is a touch sad, but calm and resigned--the whole painting has a very fateful feel to me.
Usually, I find Waterhouse's work overripe (think La Belle Dame Sans Merci, Apollo and Daphne), but I find this painting, with its whisper of escape, with Pandora's bare feet and bare shoulder, with her almost hunted-yet-still-drawn look perfect.
This so very early twentieth century fairy painting that while it may not be exactly suited to Greek myth, I find it haunting, arresting even. Perhaps it's the photorealism of the model's face--I'm not sure. But I'm drawn to the picture all the same.
Friday, November 7, 2008
More Pandora
Henry Meynell Rheam, Study for Pandora, 1902
Dante Gabriel Rosetti, Pandora, 1879
John William Waterhouse, Pandora, 1896
Henriette Rae, Pandora, 1894
Posted by
Peta Jinnath Andersen
at
8:53 PM
Labels: greek, greek mythology, myth, pandora
Subscribe to:
Post Comments (Atom)



0 comments:
Post a Comment